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After a time the water began to boil and the old man turned his quiver upside down over the pot, and immediately there came from it a sound of a child crying, as if it were being hurt. The old people both looked in the kettle and there they saw a little boy, and they quickly took him out of the water. They were surprised and did not know where the child had come from. The old woman wrapped the child up and wound a line about its wrappings to keep them in place, making a lashing for the child. Then they talked about it, wondering what should be done with it. They thought that if their son-in-law knew it was a boy he would kill it; so they determined to tell their daughters that the baby was a girl, for then their son-in-law would think that he was going to have another wife. So he would be glad. They called the child Kŭt-o-yĭs´—Clot of Blood.,

"Of love generally?—no," with a disdainful glance,—"merely of your love of comfort.",

The song seemed to come from a big cotton-wood tree near the trail leading down to the water. As she looked closely at this tree she saw a queer stone jammed in a fork where the tree was split, and with it a few hairs from a buffalo which had rubbed against the tree. The woman was frightened and dared not pass the tree. Soon the singing stopped and the I-nĭs´kĭm said to the woman, "Take me to your lodge, and when it is dark call in the people and teach them the song you have just heard. Pray, too, that you may not starve, and that the buffalo may come back. Do this, and when day comes your hearts will be glad.",

Then said the bear, "Now lie down on my back and hold tight by my hair and we will go on"; and when Mīka´pi had got on his back and was ready the bear started. All through the night he travelled on without stopping, and when morning came they rested for a time and ate more berries, and again the bear put mud upon the man's wounds. In this way they travelled on, until, on the fourth day, they had come close to the lodges of the Piegans and the people saw them coming, and wondered.

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Mona is sitting in the morning-room, the faithful and ever lively Nolly at her side. According to his lights, she is "worth a ship-load of the whole lot," and as such he haunts her. But to-day she fails him. She is absent, depressed, weighed down with thought,—anything but congenial. She forgets to smile in the right place, says, "Yes" when courtesy requires "No," and is deaf to his gayest sallies.,

Having said all this without a break, Jenkins feels he has outdone himself, and retires on his laurels.,

"I wonder you do not hate me," says Mona, with a brokenhearted sob, "when you remember I am of the same blood as these wretches.",

"You would turn a farce into a tragedy," he says, mockingly, "Why should I bribe a servant to let me see an old room by midnight?"